Code: ASGO-TK-20021

Artist: Tarisse King

Title: Campsites

Medium: Sculpture, Metal, Rust

Size: 320x165x125cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TKSK-20001

Artist: Tarisse King & Sarrita King

Title: My Country's Story III

Medium: Sculpture, Metal, Patina, Black & Silver

Size: 190x120x50cm

Year: 2020

With this sculpture Tarisse & Sarrita wanted to translate their collaboration ‘My Country’s Story’ into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish & rust is a reflection of the age of the markings and long history of these stories. 

TK&SK | My Country’s Story

This style is a collaborative combining Tarisse’s My Country style and Sarrita’s Language of the Earth style. The painting shows the tearing away of the land, specifically areas around Katherine to reveal the Earth’s story. The history of the land where we come from connects us to our family, our culture and all living things. Sarrita seeks to express her impression of the land and some of its stories. The symbols within the painting are patterns for the viewer to connect with but the layout of the painting has its own story.

Tarisse King | My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Code: ASGO-SK-20032

Artist: Sarrita King

Title: Language of the Earth V

Medium: Sculpture, Metal, Rust, Stone Base

Size: 188x170x121cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Code: ASGO-SK-20031

Artist: Sarrita King

Title: Our Land II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 169x330x41cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Our Land” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Code: ASGO-SK-20028

Artist: Sarrita King

Title: Language of the Earth II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 200x80x30cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Code: ASGO-SK-20027

Artist: Sarrita King

Title: Language of the Earth II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 200x80x30cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Code: ASGO-SK-20026

Artist: Sarrita King

Title: Language of the Earth II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 200x80x30cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Code: ASGO-TK-20020

Artist: Tarisse King

Title: Turtle

Medium: Sculpture, Metal, B&W, Stone Base

Size: 120x120x20cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20019

Artist: Tarisse King

Title: Turtle

Medium: Sculpture, Metal, B&W, Stone Base

Size: 120x120x20cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20018

Artist: Tarisse King

Title: Turtle

Medium: Sculpture, Metal, B&W, Stone Base

Size: 120x120x20cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20017

Artist: Tarisse King

Title: Turtle

Medium: Sculpture, Metal, B&W, Stone Base

Size: 200x200x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20016

Artist: Tarisse King

Title: Campsites

Medium: Sculpture, Metal, B&W, Stone Base

Size: 288x58x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20014

Artist: Tarisse King

Title: Campsites

Medium: Sculpture, Metal, B&W, Stone Base

Size: 220x120x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-TK-20013

Artist: Tarisse King

Title: Campsites

Medium: Sculpture, Metal, Rust, Stone Base

Size: 220x120x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘Campsites' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

Code: ASGO-SK-20025

Artist: Sarrita King

Title: Fire & Lightning

Medium: Sculpture, Metal, Black, Stone Base

Size: 300x300x130cm

Year: 2020

With this sculpture Sarrita wanted to translate her "Fire" & "Lightning" stories into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Lightning

Sarrita’s Lightning paintings are a painted memory of the electrical storms in the tropical climate of Darwin where Sarrita spent her youth. The lightning would crack across the entire sky, creating lines not dissimilar to cracked earth. And with the lightning came the winds that in their fury whipped up all the dust, rain, heat and magnetic energy into a maelstrom in the air. Sarrita would discover new patterns and colours every time she witnessed these natural light shows.

Sarrita paints the lightning series in two main ways: she either encapsulates the intensity of the storm and the driving rain to the point where it is seemingly audible or contrarily, she points out the subtle beauty within the storm and the way in which the elements gracefully twist and turn between the dramatic lightning strikes.

Sarrita King | Fire

Sarrita’s father told her of the connection of all things in life and explained that her ancestors would experience the same connection to the land as her when feeling the warmth of the fire and looking into its deep colours. Fire was also used in the important act of ‘back burning’, utilised by the Aboriginal people to stimulate the rejuvenation of plant growth and therefore food sources. Sarrita acknowledges all of this in her Fire paintings.

Injecting paint onto the canvas surface, Sarrita recreates the sharp licks of flames in glowing oranges and reds stretching up the length canvas. The contrast of the bright colours on a jet black background creates an immense visual heat and also a cutting contemporary aesthetic.

Code: ASGO-SK-20024

Artist: Sarrita King

Title: Fire & Lightning

Medium: Sculpture, Metal, Rust, Stone Base

Size: 300x300x130cm

Year: 2020

With this sculpture Sarrita wanted to translate her "Fire" & "Lightning" stories into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Lightning

Sarrita’s Lightning paintings are a painted memory of the electrical storms in the tropical climate of Darwin where Sarrita spent her youth. The lightning would crack across the entire sky, creating lines not dissimilar to cracked earth. And with the lightning came the winds that in their fury whipped up all the dust, rain, heat and magnetic energy into a maelstrom in the air. Sarrita would discover new patterns and colours every time she witnessed these natural light shows.

Sarrita paints the lightning series in two main ways: she either encapsulates the intensity of the storm and the driving rain to the point where it is seemingly audible or contrarily, she points out the subtle beauty within the storm and the way in which the elements gracefully twist and turn between the dramatic lightning strikes.

Sarrita King | Fire

Sarrita’s father told her of the connection of all things in life and explained that her ancestors would experience the same connection to the land as her when feeling the warmth of the fire and looking into its deep colours. Fire was also used in the important act of ‘back burning’, utilised by the Aboriginal people to stimulate the rejuvenation of plant growth and therefore food sources. Sarrita acknowledges all of this in her Fire paintings.

Injecting paint onto the canvas surface, Sarrita recreates the sharp licks of flames in glowing oranges and reds stretching up the length canvas. The contrast of the bright colours on a jet black background creates an immense visual heat and also a cutting contemporary aesthetic.

Code: ASGO-TK-20012

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Black & Blue, Stone Base

Size: 270x130x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20011

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 270x130x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20008

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 230x105x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20009

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Black & Blue, Stone Base

Size: 230x105x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land.  

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20010

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 270x130x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20007

Artist: Tarisse King

Title: My Country II

Medium: Sculpture, Metal, Rust, Stone Base

Size: 230x105x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20006

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Black, Red & White, Stone Base

Size: 270x126x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20005

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Black, Red & White, Stone Base

Size: 270x126x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20004

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Rust, Stone Base

Size: 270x126x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20003

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Black, Red & White, Stone Base

Size: 220x110x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20002

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Rust, Stone Base

Size: 220x110x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-TK-20001

Artist: Tarisse King

Title: My Country

Medium: Sculpture, Metal, Rust, Stone Base

Size: 220x110x30cm

Year: 2020

With this sculpture Tarisse wanted to translate her ‘My Country' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural stone was selected to strengthen the connection of the story with land. The rust finish reminds us of the age of the markings and long history of these stories.

My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Code: ASGO-SK-20023

Artist: Sarrita King

Title: Fire & Lightning

Medium: Sculpture, Metal, Rust, Stone Base

Size: 300x300x130cm

Year: 2020

With this sculpture Sarrita wanted to translate her "Fire" & "Lightning" stories into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Lightning

Sarrita’s Lightning paintings are a painted memory of the electrical storms in the tropical climate of Darwin where Sarrita spent her youth. The lightning would crack across the entire sky, creating lines not dissimilar to cracked earth. And with the lightning came the winds that in their fury whipped up all the dust, rain, heat and magnetic energy into a maelstrom in the air. Sarrita would discover new patterns and colours every time she witnessed these natural light shows.

Sarrita paints the lightning series in two main ways: she either encapsulates the intensity of the storm and the driving rain to the point where it is seemingly audible or contrarily, she points out the subtle beauty within the storm and the way in which the elements gracefully twist and turn between the dramatic lightning strikes.

Sarrita King | Fire

Sarrita’s father told her of the connection of all things in life and explained that her ancestors would experience the same connection to the land as her when feeling the warmth of the fire and looking into its deep colours. Fire was also used in the important act of ‘back burning’, utilised by the Aboriginal people to stimulate the rejuvenation of plant growth and therefore food sources. Sarrita acknowledges all of this in her Fire paintings.

Injecting paint onto the canvas surface, Sarrita recreates the sharp licks of flames in glowing oranges and reds stretching up the length canvas. The contrast of the bright colours on a jet black background creates an immense visual heat and also a cutting contemporary aesthetic.