Code: ASGJ-TK-20002
Artist: Tarisse King
Title: My Country
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Story:
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGJ-SK-20002
Artist: Sarrita King
Title: Language of the Earth
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Story:
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
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Code: ASGJ-TK-20004
Artist: Tarisse King
Title: Campsite
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Story:
Australian Indigenous culture is well known for its nomadic lifestyle. Tarisse often reflects on the fact that her ancestors would constantly move from one campsite to another to find a better food & water source and for better shelter to suit the seasonal conditions.
Code: ASGJ-SK-20003
Artist: Sarrita King
Title: Earth Cycles
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Story:
Her father, the late William King, passed down this series of paintings to Sarrita. The imagery reflects on the patterns of the earth while reflecting on the circle. The deeper meaning behind this painting is the connection between all people and the world around them. The circles and dots identify the connections and relationships found throughout life.
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Code: ASGJ-WK-20001
Artist: William King Jungala
Title: Celebration of Life
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Story:
This painting represents the circular nature of life. William believed that nothing had a beginning or an end and everything is interconnected.
Code: ASGJ-WK-20004
Artist: William King Jungala
Title: Earth Cycles
Medium: Leather
Size: 10x6.5
Year: 2020
Story:
'Earth Cycles' is inspired by arguable the most significant iconic shape in all cultures, that is the circle; with nature’s greatest circle being the sun, “life giver to all”. William says, ‘The sun sings its own song, dances through the sky. Endless in its celebration, it warms me to the soul and reminds me of my ancient connection to it and all things around me’. William believes he is privileged to be able to wake up everyday at sunrise; a brand new day and see the glory of the sun, the closest representation of God in all things on earth.
Code: ASGJ-TK-20003
Artist: Tarisse King
Title: Movement of the Earth
Medium: Nickel Silver, 14ct White Gold Plate
Size: 25mm
Year: 2020
Code: ASGSTK20029
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20028
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20027
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20026
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20025
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20024
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSTK20023
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Code: ASGSSK21022
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20021
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20020
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20019
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20018
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20017
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSSK20016
Artist: Sarrita King
Title: Language of the Earth IV
Medium: Sculpture, Metal, Enamel
Size: 41x26x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Code: ASGSTK21015
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGSTK21014
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGSTK21013
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGSTK21012
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGS-TK-21011
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGS-TK-21010
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGS-TK-21009
Artist: Tarisse King
Title: Turtles II
Medium: Sculpture, Metal, Enamel
Size: 43x30x8cm
Year: 2020
The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Code: ASGS-TK-21008
Artist: Tarisse King
Title: Campsites II
Medium: Sculpture, Metal, Enamel
Size: 52x33x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘Campsites’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Campsites
Australian Indigenous culture is well known for its nomatic lifestyle. Tarisse often reflects on the fact that her ancestors would constantly move from one campsite to another to find a better food & water source and for better shelter to suit the seasonal conditions.
Code: ASGS-TK-21006
Artist: Tarisse King
Title: Campsites II
Medium: Sculpture, Metal, Bronze
Size: 52x33x8cm
Year: 2021
With this sculpture Tarisse wanted to translate her ‘Campsites’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
Campsites
Australian Indigenous culture is well known for its nomatic lifestyle. Tarisse often reflects on the fact that her ancestors would constantly move from one campsite to another to find a better food & water source and for better shelter to suit the seasonal conditions.