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$29,995.00

Code: ASGSK10029

Artist: Sarrita King

Title: Earth Cycles

Medium: Acrylic on Linen

Size: 190x450cm

Year: 2010

$29,995.00

Code: ASGTKSK14001

Artist: Tarisse King & Sarrita King & Mitjili Napurrula

Title: Our Country's Story

Medium: Acrylic on Linen

Size: 190x278cm

Year: 2014

$15,995.00

Code: ASGTKSK12002

Artist: Tarisse King & Sarrita King

Title: Our Country's Story

Medium: Acrylic on Linen

Size: 150x231cm

Year: 2012

The Sun
Gallery
$7,495.00

Code: ASGSK10012

Artist: Sarrita King

Title: The Sun

Medium: Acrylic on Linen

Size: 162x100cm

Year: 2010

Lightning
Gallery
$5,995.00

 Code: ASGSK13001

Artist: Sarrita King

Title: Lightning

Medium: Acrylic on Linen

Size: 117x178cm

Year: 2013

$5,995.00

 Code: ASGSK08007

Artist: Sarrita King

Title: Earth Cycles

Medium: Acrylic on Linen

Size: 120x179m

Year: 2008

Sandhills
Gallery
$5,995.00

Code: ASGSK11001

Artist: Sarrita King

Title: Sandhills

Medium: Acrylic on Linen

Size: 120x176cm

Year: 2011

Language of the Earth I
Gallery
$5,990.00

Available at Kate Owen Gallery | www.kateowengallery.com

Code: ASGS-SK-20026

Artist: Sarrita King

Title: Language of the Earth I

Medium: Sculpture, Metal, Patina

Size: 90x90x.03cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

 

$5,990.00

Code: ASGS-SK-20019

Artist: Sarrita King

Title: Language of the Earth I

Medium: Sculpture (Wall Hanging), Metal, Natural Tarnish

Size: 90x90x.03cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The tarnish is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

 

$4,990.00

Code: ASGS-TKSK-20003

Artist: Tarisse King & Sarrita King

Title: My Country's Story III

Medium: Sculpture, Metal, Patina, Black & Silver

Size: 99x55x12cm

Year: 2020

With this sculpture Tarisse & Sarrita wanted to translate their collaboration ‘My Country’s Story’ into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish & rust is a reflection of the age of the markings and long history of these stories. 

TK&SK | My Country’s Story

This style is a collaborative combining Tarisse’s My Country style and Sarrita’s Language of the Earth style. The painting shows the tearing away of the land, specifically areas around Katherine to reveal the Earth’s story. The history of the land where we come from connects us to our family, our culture and all living things. Sarrita seeks to express her impression of the land and some of its stories. The symbols within the painting are patterns for the viewer to connect with but the layout of the painting has its own story.

Tarisse King | My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

 

 

Language of the Earth III
Gallery
$4,990.00

Available at Kate Owen Gallery | www.kateowengallery.com

Code: ASGS-SK-20018

Artist: Sarrita King

Title: Language of the Earth III

Medium: Sculpture, Metal, Natural Tarnish

Size: 120x60x30cm

Year: 2020

Language of the Earth III | Story:

With this sculpture Sarrita wanted to translate her ‘Language of the Earth' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The metal is left to tarnish as a representation of the time passing but the Earth’s story remaining the same.

This is the earth’s story. It is also the story of the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

$4,990.00

Code: ASGS-SK-20022

Artist: Sarrita King

Title: Our Land III

Medium: Sculpture (Wall Hanging), Metal, Black & Silver

Size: 66x93x12cm

Year:

With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

Our Land

In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.

 

$4,990.00

Code: ASGS-SK-20021

Artist: Sarrita King

Title: Our Land II

Medium: Sculpture (Wall Hanging), Metal, Black & Silver

Size: 66x95x1cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

Our Land

In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.

 

 

$4,990.00

Code: ASGS-SK-20020

Artist: Sarrita King

Title: Our Land II

Medium: Sculpture, Metal, Black & Silver

Size: 66x93x12cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

Sarrita King | Our Land

In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.

My Country's Story I
Gallery
$4,100.00

Available at Ngarru Gallery | www.ngarrugallery.com.au

Code: ASGS-TKSK-20001

Artist: Tarisse King & Sarrita King

Title: My Country's Story I

Medium: Sculpture, Metal, Natural Tarnish

Size: 68x58x8cm

Year: 2020

With this sculpture Tarisse & Sarrita wanted to translate their collaboration ‘My Country’s Story’ into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

 TK&SK | My Country’s Story

This style is a collaborative combining Tarisse’s My Country style and Sarrita’s Language of the Earth style. The painting shows the tearing away of the land, specifically areas around Katherine to reveal the Earth’s story. The history of the land where we come from connects us to our family, our culture and all living things. Sarrita seeks to express her impression of the land and some of its stories. The symbols within the painting are patterns for the viewer to connect with but the layout of the painting has its own story.

Tarisse King | My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

 

 

Lightning
Gallery
$3,995.00

 Code: ASGSK16101

Artist: Sarrita King

Title: Lightning

Medium: Acrylic on Linen

Size: 90x150cm

Year: 2016

$3,990.00

Code: ASGS-TKSK-20002

Artist: Tarisse King & Sarrita King

Title: My Country's Story II

Medium: Sculpture, Metal, Natural Tarnish

Size: 76x63x12cm

Year: 2020

With this sculpture Tarisse & Sarrita wanted to translate their collaboration ‘My Country’s Story’  into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

TK&SK | My Country’s Story

This style is a collaborative combining Tarisse’s My Country style and Sarrita’s Language of the Earth style. The painting shows the tearing away of the land, specifically areas around Katherine to reveal the Earth’s story. The history of the land where we come from connects us to our family, our culture and all living things. Sarrita seeks to express her impression of the land and some of its stories. The symbols within the painting are patterns for the viewer to connect with but the layout of the painting has its own story.

 Tarisse King | My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

$2,995.00

Code: ASGSK12006

Artist: Sarrita King

Title: Natural Flow

Medium: Acrylic on Linen

Size: 91x121cm

Year: 2012

Earth Cycles
Gallery
$2,995.00

Code: ASGSK09001

Artist: Sarrita King

Title: Earth Cycles

Medium: Acrylic on Linen

Size: 119x88m

Year: 2009

Many Stories I
Gallery
$2,990.00

Available at Kate Owen Gallery | www.kateowengallery.com

Code: ASGS-TKSK-20004

Artist: Tarisse King & Sarrita King

Title: Many Stories I

Medium: Sculpture, Metal, Patina, Black & Silver

Size: 58x48x12cm

Year: 2020

With this sculpture Tarisse & Sarrita wanted to translate some of their favourite stories into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

Tarisse King | My Country

Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources.  In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment. 

Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional.  Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter.  Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.

Tarisse King | Earth Images

Common to Aboriginal practice, Tarisse was handed down the Earth Images style to paint by her father, William King Jangala.  It is a macro view of land around the small remote town of Katherine, the area where her Gurindji tribe once inhabited.  It details meandering rivers, small tributaries, active and abandoned campsites.

The impact of strong colour is immediate in these artworks and the canvas is starkly broken by the dominant and contrasting lines mapping waterways cutting their way through the land.  By concentrating her background dots or placing them sparingly Tarisse manages to create a 3-D effect of landscape, as if one was seeing all the undulations from a bird’s eye view. 

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Sarrita King | Our Land

This is the earth’s story. It is also the story of the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

Sarrita King | Waterholes

Sarrita paints the naturally occurring waterholes she remembers travelling around Alice Springs and Katherine. The scarcity of drinking water in certain regions means specific knowledge of where these waterholes are located, as well as their preservation methods, is paramount to survival. Today, Aborigines speak of where waterholes once were as many of them have dried up due to drought or diminished maintenance. When Sarrita traveled to see the waterholes with her father she saw many of them dried up and this is what she paints. Represented by the concentric circles, the waterholes are fed by underground streams pushing through land and rock. Sarrita shows these streams by ribbons of wavy lines intricately entwined across the canvas as muddy and dried ochre colours, just as she experienced them.

$2,990.00

Code: ASGS-SK-20017

Artist: Sarrita King

Title: Language of the Earth III

Medium: Sculpture, Metal, Natural Tarnish

Size: 60x50x25cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The tarnish is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

 

Our Land I
Gallery
$2,990.00

Available at Kate Owen Gallery | www.katowengallery.com

Code: ASGS-SK-20015

Artist: Sarrita King

Title: Our Land I

Medium: Sculpture, Metal, Black & Silver

Size: 34x76x8cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.

Our Land

In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.

 

 

$2,990.00

Code: ASGS-SK-20014

Artist: Sarrita King

Title: Language of the Earth I

Medium: Sculpture, Metal, Patina

Size: 69x56x12cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Sarrita King | Language of the Earth

This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.

$2,500.00

Code: ASGSK11013

Artist: Sarrita King

Title: Language of the Earth

Medium: Acrylic on Linen

Size: 70x138cm

Year: 2011

Fire
Gallery
$2,495.00

Code: ASGSK15007

Artist: Sarrita King

Title: Fire

Medium: Acrylic on Linen

Size: 61x150cm

Year: 2015

$2,495.00

Code: ASGSK17027

Artist: Sarrita King

Title: Lightning

Medium: Acrylic on Linen

Size: 60x150cm

Year: 2017

Our Land Cooloman
Gallery
$2,290.00

Available at Kate Owen Gallery | www.kateowengallery.com

Code: ASGS-SK-20025

Artist: Sarrita King

Title: Waterhole Cooloman

Medium: Sculpture, Metal, Black & Silver

Size: 69x18x7cm

Year: 2020

With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.

Our Land

In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.

 

 

$1,995.00

Code: ASGSK08002

Artist: Sarrita King

Title: Fire

Medium: Acrylic on Linen

Size: 122x66cm

Year: 2008

$1,995.00

 Code: ASGSK07001

Artist: Sarrita King

Title: Lightning

Medium: Acrylic on Linen

Size: 60x90cm

Year: 2007

$1,995.00

Code: ASGSK16100

Artist: Sarrita King

Title: Lightning

Medium: Acrylic on Linen

Size: 60x117cm

Year: 2016

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