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$3,500.00 AUD
Code: ASGS-WK-20002
Artist: William King Jungala
Title: Sheild - Earth Cycles
Medium: Sculpture, Metal, Patina
Size: 90x21x17cm
Year: 2020
$3,900.00 AUD
Code: ASGS-SK-20031
Artist: Sarrita King
Title: Coolamon-Waterhole
Medium: Sculpture, Metal, Patina
Size: 89x23x9cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Waterhole” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.
Sarrita King | Waterhole
Sarrita paints the naturally occurring waterholes she remembers travelling around Alice Springs and Katherine. The scarcity of drinking water in certain regions means specific knowledge of where these waterholes are located, as well as their preservation methods, is paramount to survival. Today, Aborigines speak of where waterholes once were as many of them have dried up due to drought or diminished maintenance. When Sarrita traveled to see the waterholes with her father she saw many of them dried up and this is what she paints. Represented by the concentric circles, the waterholes are fed by underground streams pushing through land and rock. Sarrita shows these streams by ribbons of wavy lines intricately entwined across the canvas as muddy and dried ochre colours, just as she experienced them.
$6,600.00 AUD
Code: ASGS-SK-20029
Artist: Sarrita King
Title: Language of the Earth I
Medium: Sculpture, Metal, Patina
Size: 89x89x10cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$3,900.00 AUD
Code: ASGS-SK-20028
Artist: Sarrita King
Title: Language of the Earth I
Medium: Sculpture, Metal, Patina
Size: 70x60x55xm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$3,500.00 AUD
Code: ASGS-SK-20030
Artist: Sarrita King
Title: Coolamon - Our Land
Medium: Sculpture, Metal, Patina
Size: 90x25x10cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Waterhole” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.
$330.00 AUD
Code: ASGSTK20029
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
$330.00 AUD
Code: ASGSTK20028
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
$330.00 AUD
Code: ASGSTK20027
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
$330.00 AUD
Code: ASGSTK20026
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
$330.00 AUD
Code: ASGSTK20025
Artist: Tarisse King
Title: My Country II
Medium: Metal, Enamel
Size: 39x20x8cm
Year: 2020
With this sculpture Tarisse wanted to translate her ‘My Country’ story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries.
My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.