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$5,000 AUD
Code: ASGS-TKSK-20003
Artist: Tarisse King & Sarrita King
Title: My Country's Story III
Medium: Sculpture, Metal, Patina, Black & Silver
Size: 99x55x12cm
Year: 2020
With this sculpture Tarisse & Sarrita wanted to translate their collaboration ‘My Country’s Story’ into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish & rust is a reflection of the age of the markings and long history of these stories.
TK&SK | My Country’s Story
This style is a collaborative combining Tarisse’s My Country style and Sarrita’s Language of the Earth style. The painting shows the tearing away of the land, specifically areas around Katherine to reveal the Earth’s story. The history of the land where we come from connects us to our family, our culture and all living things. Sarrita seeks to express her impression of the land and some of its stories. The symbols within the painting are patterns for the viewer to connect with but the layout of the painting has its own story.
Tarisse King | My Country
Driven to map the country around Katherine, where her ancestors once walked, Tarisse depicts land formations such as rivers, rock holes, billabongs, shelters, tracks and food sources. In this series, Tarisse visually explores the way her ancestors interacted and lived with the environment.
Tarisse composes traditional Aboriginal iconography in sharp white lines, circles, arcs and dots often upon a single colour canvas to create a bold aesthetic that has a foot in the contemporary art aesthetic and the traditional. Song lines that ancestors once walked run across the canvas in different directions, the spaces created by this are filled with concentric circles representing different family clans or ‘life forces’, symbols for food and shelter. Well balanced, the canvas has a graphic look and a contemporary feel, indicative of Tarisse’s ability to make the ancient appear new.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$3,000 AUD
Code: ASGS-SK-20017
Artist: Sarrita King
Title: Language of the Earth III
Medium: Sculpture, Metal, Natural Tarnish
Size: 60x50x25cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The tarnish is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$1,000 AUD
Code: ASGS-SK-20008
Artist: Sarrita King
Title: Language of the Earth II
Medium: Sculpture, Metal, Patina
Size: 48x29x20cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$6,000 AUD
Code: ASGS-SK-20019
Artist: Sarrita King
Title: Language of the Earth I
Medium: Sculpture (Wall Hanging), Metal, Natural Tarnish
Size: 90x90x.03cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The tarnish is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$5,000 AUD
Code: ASGS-SK-20020
Artist: Sarrita King
Title: Our Land II
Medium: Sculpture, Metal, Black & Silver
Size: 66x93x12cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.
Sarrita King | Our Land
In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.
$5,000 AUD
Code: ASGS-SK-20021
Artist: Sarrita King
Title: Our Land II
Medium: Sculpture (Wall Hanging), Metal, Black & Silver
Size: 66x95x1cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.
Our Land
In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.
Gallery
$3,000 AUD
Code: ASGS-SK-20014
Artist: Sarrita King
Title: Language of the Earth I
Medium: Sculpture, Metal, Patina
Size: 69x56x12cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
$2,000 AUD
Code: ASGS-SK-20024
Artist: Sarrita King
Title: Waterhole Cooloman
Medium: Sculpture, Metal, Black & Silver
Size: 52x22x9cm
Year: 2020
$5,000 AUD
Code: ASGS-SK-20022
Artist: Sarrita King
Title: Our Land III
Medium: Sculpture (Wall Hanging), Metal, Black & Silver
Size: 66x93x12cm
Year:
With this sculpture Sarrita wanted to translate her ‘Our Land' story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The natural tarnish is a reflection of the age of the markings and long history of these stories.
Our Land
In the ‘Our Land’ imagery Sarrita is telling the story of the many paths taken when someone leaves their homeland but always feeling connected to their community. In the painting the thick circle represents the homeland and the delicate lines represent the crisscrossing pathways across the land. The many pathways and the ‘tears’ in the pathways and extra layers remind us this journey has been going on with our ancestors throughout humanity.
$2,000 AUD
Code: ASGS-SK-20016
Artist: Sarrita King
Title: Language of the Earth II
Medium: Sculpture, Metal, Black and Silver
Size: 32x64x8cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The tarnish is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.
Gallery
$1,500 AUD
Available at Wentworth Gallery
Code: ASGS-SK-20004
Artist: Sarrita King
Title: Language of the Earth I
Medium: Sculpture, Metal, Patina
Size: 48x37x12cm
Year: 2020
With this sculpture Sarrita wanted to translate her ‘Language of the Earth” story into a 3D object. The choice to use metal is a reflection on the strength and longevity of the Australian Indigenous culture and the stories passed down over the centuries. The rust is a reflection of the age of the markings and long history of these stories.
Sarrita King | Language of the Earth
This is the earth’s story. It is also the story of black and white upon the land and the history we have created and carved into it by our interactions with one another. The intersections of black and white culture and how they meet, creating a narrative in the land and in history, and then moving on in their individual and collaborative journeys are abstractly depicted. These paintings thematically diverge from Sarrita’s elemental inspired series. In an abstract way Sarrita references the iconography of the Tingari creation ancestors with her use of strong rectangles. These are then given body with dots and dashes, similar to Morse code. These symbols of communication are haunting in their familiarity, like an ancient language that was once known but now sits dormant at the back of one’s memory. The overall aesthetic is bold and assertive, and just like much iconography in Aboriginal cultures, the ancient now appears contemporary.